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The artist as economist : art and capitalism in the 1960s

By: Cras, SophieContributor(s): Debevoise, M. B. (Trans) | Yale University PressLanguage: eng;fre Publication details: New Haven, CT Yale University Press 2019 ISBN: 0300255136Subject(s): Art and business--History--20th century | Art as an investment--History--20th century | Art--Economic aspects--History--20th century | Money in art | Art as an investment | Art--Economic aspects | Art and businessOnline resources: [A&AePortal (Yale University Press)] Summary: 9780300255133Summary: Includes bibliographical references and index.Summary: Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted -- and the art market increasingly an arena for speculation -- artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. 'The Artist as Economist' examines artists who approached these issues in critical, imaginative and humorous ways: Andy Warhol and Larry Rivers incorporated the iconography of printed currency into their paintings, while Ray Johnson sought to disrupt and reinvent circuits of commerce with his mail art collages. Yves Klein and Edward Kienholz critiqued conceptions of artistic and monetary value, as Lee Lozano and Dennis Oppenheim engaged directly with the New York Stock Exchange. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism's visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art's capacity to reflect on and reimagine economic systems.Summary: 2021
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9780300255133

Includes bibliographical references and index.

Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted -- and the art market increasingly an arena for speculation -- artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. 'The Artist as Economist' examines artists who approached these issues in critical, imaginative and humorous ways: Andy Warhol and Larry Rivers incorporated the iconography of printed currency into their paintings, while Ray Johnson sought to disrupt and reinvent circuits of commerce with his mail art collages. Yves Klein and Edward Kienholz critiqued conceptions of artistic and monetary value, as Lee Lozano and Dennis Oppenheim engaged directly with the New York Stock Exchange. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism's visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art's capacity to reflect on and reimagine economic systems.

2021

Original in French. Translated into English.

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