1. Black revolution. Saint-Domingue. Girodet's Portrait of Citizen Belley, Ex-Representative of the Colonies, 1797 -- 2. Plague. Egypt-Syria. Gros's Bonaparte visiting the plague victims of Jaffa, 1804 -- 3. Revolt. Egypt. Girodet's Revolt of Cairo, 1810 -- 4. Cannibalism. Senegal. GeÌüricault's Raft of the Medusa, 1819 -- 5. Blood-mixing. Ottoman Greece. Delacroix's Massacre of Chios, 1814 -- 6. White slavery. Ottoman Africa. Delacroix's Greece on the ruins of Missolonghi, 1826.

9780300259100

Includes bibliographical references and index.

In the decades following the French Revolution, four artists Girodet, Gros, Gericault and Delacroix painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation and failure, she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another.

2021