MARC details
| 000 -LEADER |
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01979cam a2200277 4500 |
| 001 - CONTROL NUMBER |
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| control field |
0300259492 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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220318t1979 xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0300259492 |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Vaughan, William [1943-] |
| 245 #0 - TITLE STATEMENT |
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| Title |
German Romanticism and English art |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New Haven |
| Name of publisher, distributor, etc. |
Yale University Press |
| Date of publication, distribution, etc. |
1979 |
| 490 ## - SERIES STATEMENT |
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| Series statement |
Studies in British Art |
| 500 ## - GENERAL NOTE |
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| General note |
Expanded and revised version of the author's thesis: The German manner in English art, 1815-55, London University, 1977. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chapter 1. German Art in England, 1800-50 -- Chapter 2. The Mind of Art -- Chapter 3. The Depiction of German Subjects by British Artists -- Chapter 4. F. A. M. Retzsch and the Outline Style -- Chapter 5. The Decorated Page and the Woodcut Style -- Chapter 6. The German Manner and English History Painting -- Chapter 7. Dyce and Ecclesiastical Art. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Includes bibliographical references (pages 289-302) and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This original study sets out to investigate and analyze the reactions of English artists in the four decades following the end of the Napoleonic Wars. The period was a critical one: despite the brilliant achievements of Turner, Constable, and Lawrence, there was a growing uneasiness about the ""sensuous"" direction taken by the British School as a whole. After years of isolation due to the wars with France, British artists became aware of striking new developments in continental art, culminating in the 1840s when German monumental painting was held up as a model for the competitions for the decoration of the new Houses of Parliament`. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
2022" |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, English--German influences |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, Victorian--England |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Painting, German--Influence |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Romanticism in art |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Germany--In art |
| 710 ## - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Paul Mellon Centre for Studies in British Art |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://www.aaeportal.com/?id=-20836">https://www.aaeportal.com/?id=-20836</a> |
| Link text |
[A&AePortal (Yale University Press)] |