MARC details
| 000 -LEADER |
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| fixed length control field |
02240cam a2200229 4500 |
| 001 - CONTROL NUMBER |
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| control field |
0300254911 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210121t1994 xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0300254911 |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Harrison, Charles [1942-2009,] |
| 245 #0 - TITLE STATEMENT |
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| Title |
English art and modernism, 1900-1939 |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New Haven, CT |
| Name of publisher, distributor, etc. |
Yale University Press |
| Date of publication, distribution, etc. |
1994 |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
pt. 1. The Origins of Modernism in England. 1. Introduction : The Turn of the Century. 2. From New English to Camden Town. 3. 'Post-Impressionism' and the 'New Movement'. 4. Cubism, Futurism, Vorticism. 5. The Great War -- pt. 2. Between the Wars. 6. Hiatus : 1919-1924. 7. Still Life and Landscape in the Twenties. 8. The Development of Modernism in Sculpture. 9. The Early Thirties : Unit One. 10. 'Abstract' and 'Constructive' Art. 11. The Later Thirties : Surrealism, 'Realism', Romanticism. 12. Postscript : The Euston Road School -- Appendix : The Seven & Five Society. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Includes bibliographical references and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
""This critically acclaimed book is both a detailed history of the development of modern art in England in the early twentieth century and a study of the evolution of the concept of modernism among English artists, critics, and theorists. Charles Harrison explores the two main phases of modern art activity during the period: the years before and during the First World War, when the principal factions were Sickert's Camden Town Group, the English Post-Impressionists, and the Vorticists; and the 1930s, when a new avant garde assembled in response to recent developments in European art, only to divide into groupings of abstract artists, Surrealists, and Realists. Harrison discusses the artists of the period, the most important individual works, and the writings of the critics, resulting in a major contribution to knowledge about the art and theory of modernism""--Publisher's description. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
2021" |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, English--20th century |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Modernism (Art)--England |
| 710 ## - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Paul Mellon Centre for Studies in British Art |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://go.openathens.net/redirector/regents.ac.uk?url=https://www.aaeportal.com/?id=-19830">https://go.openathens.net/redirector/regents.ac.uk?url=https://www.aaeportal.com/?id=-19830</a> |
| Link text |
[A&AePortal (Yale University Press)] |